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Roland VH-14D - Digital Hi-Hat

Roland’s digital pads elevate electronic drumming to the next level, working in harmony with high-speed processing in supported V-Drums sound modules to provide the ultimate expressive experience. Capturing the most subtle playing nuances with astonishing detail and definition, our digital pads bring electronic drums to life like never before.

The groundbreaking VH-14D launches the electronic hi-hat into a new universe of playability, offering touch sensitivity, tonal variation, and open/closed resolution that’s never been available until now. The two-piece design and thin 14-inch pads provide a familiar look and natural feel, while the high-resolution, multi-sensor system tracks velocity, stick position, and foot work with maximum precision. Foot splashes are reproduced authentically, and you can even mute the cymbals with a hand touch—just like acoustic hi-hats.

The VH-14D is the perfect complement to the PD-140S digital snare and CY-18DR digital ride, bringing Roland’s powerful digital advantages to the three most nuanced pieces in your kit.

For the most expressive VH-14D experience, you’ll want to use it with the flagship TD-50X sound module or a TD-50 module with the TD-50X upgrade installed. These modules include new sounds that are fully optimized for the VH-14D. Standard TD-50 and TD-27 modules are also compatible with the VH-14D via a free system update. This provides support for the VH-14D’s enhanced detection capabilities, but no new sounds are included.

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Yamaha PCY95AT Cymbal

Yamaha PCY95AT

A large 10-inch cymbal pad with attachment to rack system. Newly designed for more natural feel and quietness, you will notice the difference from other cymbals when playing legato. In addition, when you play this cymbal pad with the DTX402 series kits you can play both edge and cup sound by changing the dynamics of your strike.

* Before you purchase a pad, refer to the pad compatibility table to make sure that you can connect the pad to your drum trigger module (tone generator).

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Roland CY-8 V-Cymbal Pad - 8"

Roland CY-8

The CY-8 cymbals offer “swinging” motion with great response, separate bow/edge triggering and choke capabilities, plus a fresh new look that more closely resembles a real cymbal.

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Roland FD-9 V-Drum Hi-Hat Pedal

Playing drums at home can be a headache. Traditional acoustic shells are impractical for late-night practice, while many electronic kits are disruptive (even with headphones), due to the sound of the pedals in operation. Roland’s new FD-9 hi-hat controller pedal is the smart way to drive down decibels. Designed for ultra-quiet home practice, the unit’s patent-pending link mechanism means dramatic noise reduction when the pedal is depressed. Expressive players will also appreciate this compact pedal’s authentic hi-hat feel, with smooth transitions between open/closed/half-open positions. With the Roland FD-9, you can play as hard as you like, as late as you want.

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Roland FD-8 V-Drum Hi-Hat Pedal

Thanks to Roland’s new FD-8 Hi-Hat Controller, drummers can get more realistic hi-hat sounds with smooth transitions between open and closed. The FD-8 is compatible with all Roland TD-Series modules, SPD-S, SPD-20 and HandSonic 15 (HPD-15).

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Roland CY-14R-T - Digital Cymbal

The CT-14R-T is a handy digital cymbal by Roland. Roland is a Japanese company that produces high-quality audio products. The cymbal has a thinner profile than its predecessors and, consequently, has a more natural feel to it. The cymbal also has a natural motion to it, just like a real cymbal. The response is also more equally divided over the surface of the cymbal. Furthermore, the cymbal has three different responses, on the edge, the bow, and the bell. By holding the edge of the cymbal, the sound will fade.  

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Roland CY-12C-T - Digital Cymbal

The CY-12C-T is a great digital cymbal by Roland. Roland is a Japanese company that produces high-quality audio products. The CY-12C-T has a thinner profile than its predecessors for a more organic experience. The response is also more equally divided over the surface of the cymbal. The system has two separate responses on the bow and the edge. By holding the edge, the sound will die down.

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